LEONARDO da Vinci
Italian High Renaissance Painter and Inventor, 1452-1519
Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider. Related Paintings of LEONARDO da Vinci :. | Madonna with a Flower (Madonna Benois) g | Drawing of an Infant | Study fur the Sforza-Reiterstandbild | Portrat of a Madchens | Funf studies of grotesque faces | Related Artists: simon luttichuysca 1630-1640
OCHTERVELT, JacobDutch Baroque Era Painter, 1634-1682
Dutch painter. According to Houbraken, he and Pieter de Hooch were fellow students of the Dutch Italianate Nicolaes Berchem in Haarlem, probably between 1646, when Berchem returned from Italy, and 1655, when Ochtervelt married Dirkje Meesters in the Dutch Reformed Church in Rotterdam. Ochtervelt's earliest known works reveal the influences of a number of Dutch Italianate painters. Landscapes with figures, such as Hunters and Shepherds in a Landscape (1652; Karl-Marx-Stadt, St?dt. Kstsamml.), owe much to Berchem in subject and composition. They may also have been partly inspired by similar landscapes by Jan Baptist Weenix and Ludolf de Jongh. Towards the mid-1650s Ochtervelt began painting garden scenes Edward John Eyre1815-1901,British colonial administrator. In Australia (1833?C45) he was a magistrate, explorer, and writer on Australian geography, and had a reputation for sympathy for the aborigines. After terms as lieutenant governor of New Zealand (1846?C53) and governor of St. Vincent (1854?C60), he became (1864) governor of Jamaica. He was recalled in 1866 after suppressing a black uprising the year before in which more than four hundred Jamaicans were executed. Eyre was accused of brutality and illegal acts, especially in the execution of George Gordon, a black member of the Jamaican legislature who had contravened the martial law imposed during the emergency. He was recalled in 1866. Several attempts, promoted by John Stuart Mill, Goldwin Smith, and Herbert Spencer, to try him for murder were forestalled by a committee of admirers, which included John Ruskin, Alfred Tennyson, Thomas Carlyle, and Charles Kingsley. An English grand jury declined to indict him, and a royal commission exonerated him, while criticizing his ??unnecessary rigour.?? The episode contributed to the fall of the government of Lord John Russell in 1866.
|
|
|